BrassBulletin
International Magazine for Brass Players
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Montreux 1976
Roger Bobo
National styles or personal voice? Roger Bobo finds in Montreux that individuality prevails—yet notes the absence of key traditions.
A rare and powerful call from maestro Roger Bobo: at the height of the “Tuba Explosion”, he challenges players to define — at last — the ideal instrument.
A bold statement from Roger Bobo: limiting yourself to your instrument’s repertoire is musical imprisonment — true musicianship begins beyond boundaries.
Do we or do we not play transcriptions?
“Transcriptions: yes or no? Beware.” Roger Bobo challenges tubists to rethink repertoire, taste, and tradition in a bold call for musical judgment and artistic freedom.
Eyes toward the future
Beyond the instrument: Roger Bobo calls for open minds at Symposium ’78—urging tubists to seek inspiration, question identity, and look boldly toward the future.
Roger Bobo reflects on orchestral auditions, examining imbalance between candidates and positions and questioning training, selection criteria and prospects for aspiring tubists.
From Reykjavik to the Hollywood Bowl, rising concert hall scale and amplified culture reshape orchestral sound, leaving acoustic limits exposed.
Interview
Two tuba giants meet in 1979 Chicago, where Arnold Jacobs turns technique, sound, orchestral life and pedagogy into a lasting musical ethic.
From Curtis to Chicago, a tuba player's path crosses Reiner, Koussevitzky and Ormandy, while teaching evolves toward breathing, thought and musical function.
Poet of the Tuba
Jean-Pierre Mathez