Repertorio
145 articoli
The trombone and chamber music in France
Di Raymond Lapie
General brass catalogue
A special issue format begins: Brass Bulletin 20 introduces the General Brass Catalogue—offering direct access to instruments, makers, and international brass news.
Membro
Jean-Baptiste Prin (1669-1742)
A tromba marine virtuoso
A forgotten string instrument leads to an unexpected treasury of Baroque trumpet music, challenging long-held assumptions about repertoire and performance.
Di Albert Hiller
The Art of the Third Horn Player
The unsung hero
Di Kerry Turner
Membro
Parte 3
Ornaments in 18th-century Horn Concertos?
Deliberate divisions
Improvisation, articulation and ornament were once inseparable: Peter Damm recovers an 18th-century horn practice later narrowed by increasingly precise notation.
Di Peter Damm
Alexander Arutiunian
Interview
Di Jean-Pierre Mathez
Sir Peter Maxwell Davies
Fire in the music
Di Jean-Pierre Mathez
Georges Delerue (1925-1992)
One of the most famous French composers
Di Jean Douay
Dreams and wishes
Things I would like to see happen concerning the horn and horn playing
A set of proposals for the future of the horn: Jeffrey Agrell addresses editions, pedagogy, instruments, and repertoire—from Mozart to contemporary practice.
Di Jeffrey Agrell
Evolution of the trumpet ensembles
Di Jean-Pierre Mathez
Parte 4
The influence of Berlioz
on contemporary 19th Century use of brass instruments
Di Ernest H. Gross
Gratuito
The Polyphonic Trombone
A suggested notation system
When trombone slide, overtones, breath and valves become independent musical voices, conventional notation reaches its limits and a new system becomes necessary.
Di Klaus-K. Hübler
Membro
Impossible?
Kurt Janetzky challenges the notion of the “impossible” in brass playing, arguing that technical limits evolve and that demanding repertoire—past or present—should never be dismissed as unplayable.
Di Kurt Janetzky
Parte 3
The Alto trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Di J. Richard Raum
Parte 2
The art of chamber music
Di Jean-Pierre Mathez
The trombone of Gustav Holst (1874-1934)
Di Jeremy Dibb, Simon Hogg
Discovery of the 'Turmsonaten' written in 1803
Di Michael Kircheis
Gratuito
Parte 2
The trombone in Maurice Ravel's Boléro
Boléro as ordeal: Jean Douay reveals stage fright, pressure, and the weight of the final solo—where one moment can elevate or undermine the entire orchestra.
Di Jean Douay
Gratuito
I chose to address myself to new music rather than new trumpet
Thomas Stevens argues that progress in trumpet playing depends on better training, repertoire and musical thinking rather than on equipment.
Di Thomas Stevens
Reflections on the horn
Francis Orval reflects on horn playing, discussing tone production, breathing and the influence of French and German traditions on sound and style.
Di Francis Orval
Gratuito
Conversation by the fireside
A fireside conversation with Philip Jones, Elgar Howarth and Michael Laird—an intimate exchange on brass playing, ensemble culture and musical thinking.
Di Jean-Pierre Mathez
1796-1908: the long sleep of the Haydn trumpet concerto...
Di Hans-Joachim Krumpfer
Gratuito
The hunting horn
Long-held beliefs about the French hunting horn are challenged as forgotten playing practices and Baroque traditions reshape its early history and repertoire.
Di Jacques Poncet
Gratuito
On the question of articulation in the horn concertos by W. A. Mozart
How should Mozart really sound? Peter Damm questions traditional editions and reveals how articulation—often missing—must be rebuilt through style, listening, and musical judgment.
Di Peter Damm