Repertorio
145 articoli
Membro
Modern editions of original 17th-century brass ensemble music
Seventeenth-century brass music regained its place in the repertoire, but modern editions often altered the original keys, instrumentation and balance between voices.
Di Klaus Winkler
Parte 2
Tubas in Jazz and Popular Music
Di Michel Laplace
Parte 1
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Di Friedrich Anzenberger
Membro
Why pretend to be Mozart?
The concerto’s cadenza: copy of style — or bold but true?
Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.
Di Bernhard Krol
Parte 2
Jazz Improvisation
The harmonic minor scale
Di Charlie Shoemake
Unknown trumpet works which deserve attention
Anonymous (early classical), Concerto in D major
Di Albert Hiller
Harri Lidsle
Master stroke of a young Finnish tubist
Di Jean-Pierre Mathez
Membro
The alto trombone and contemporary concepts of trombone timbre
Alto trombone timbre from Vienna to Brahms, orchestral balance, period practice, and why bright brass sounds gradually disappeared.
Di William E. Runyan
Brass Ensemble Music Publications from Great Britain
Di Christopher Mowat
Carnival of Venice at the age of more than 125!
Di Emil Hermann
About my “48 Lyric Studies”
Di Thomas Stevens
Membro
Parte 2
The Baroque trumpet, the high trumpet and the so-called Bach trumpet
Continuation of Edward H. Tarr’s study on the Baroque trumpet, examining the high trumpet and further clarifying the concept of the “Bach trumpet.”
Di Edward H. Tarr
Gratuito
Editorial
A wealth of Baroque music lies dormant in libraries, caught between historical instrument names, technical demands, and the competing claims of horn and trumpet players.
Di Jean-Pierre Mathez
Parte 3
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Di Friedrich Anzenberger
Gratuito
Serious Music this Side of the Ghetto
Between Darmstadt serialism and neo-tonality, the place of serious music in society is questioned through Berg, Schönberg and the post-war avant-garde.
Di Rolf Urs Ringger
Membro
The development of the amateur wind-band repertoire in Central Europe since 1950
After 1950, Central Europe’s amateur wind bands became a testing ground where inherited traditions, modern composition, popular music and education collided.
Di Wolfgang Suppan
Gratuito
Horn and Harp
Virtuoso showpieces once filled concert halls, yet today the rare pairing of horn and harp preserves a forgotten musical world shaped by performers themselves.
Di Ch. Bernsdorff-Engelbrecht
The Composer Adrift
Di Stanley Friedman
Membro
Parte 3
The Haydn Trumpet Concerto
Haydn’s trumpet concerto becomes a study of manuscript detail, performance choices, and the fragile ways listeners receive a familiar work.
Di Alfred Willener
The Horn and Piano Duo
Di Hermann Baumann
Parte 1
Trombone and Organ, a Dialog
Di Klaus Winkler
A voyage with Roland Szentpali, Hungarian tubist and composer
Di Levente Kövesdi
Membro
Parte 2
The Trumpet and the Cornet in Jazz and Popular Music
The “Classical” Period 1927-1945 — The Golden Age of the Trumpet
Between Armstrong’s rise and bebop’s arrival, the trumpet became jazz’s dominant voice, reshaping technique, orchestras, sound, mutes and virtuosity.
Di Michel Laplace
Bernhard Krol (1920-2013)
Composer
Di Jean-Pierre Mathez