Esecuzione solistica
17 articoli digitalizzati
Hall, Jack
The saga of the cornet and six of its outstanding artists
The cornet reached extraordinary heights in the 19th century. Jack Hall traces the rise of its greatest virtuosi and a remarkable era of technical brilliance.
Brass Bulletin No 12 · 1975
Tromba· Cornetta a pistoni· Storia· Esecuzione solistica· Scuola americana
Mathez, Jean-Pierre
Maurice André
Biography
From circus gigs to Bach with Karajan: Maurice André reveals how relentless work, discipline, and daily technical refinement shaped one of the greatest trumpet careers.
Brass Bulletin No 25 · 1979
Tromba· Incontri· Scuola francese· Esecuzione solistica
Beyer, Werner
The classical solo concerto for trombone and its interpreters in the 19th century
From Queisser to Ferdinand David: the rise—and disappearance—of the classical trombone concerto in the 19th century reveals a forgotten golden age of virtuosity.
Brass Bulletin No 25 · 1979
Trombone· Storia· Repertorio· Esecuzione solistica
Mathez, Jean-Pierre
Maurice André
Biography
Maurice André reflects on maturity—balancing performance, recordings and teaching, refining his approach to instruments and audience, and preparing for the limits of a virtuoso career.
Brass Bulletin No 26 · 1979
Tromba· Incontri· Esecuzione solistica· Approccio mentale
Mathez, Jean-Pierre
Interview with Miles Anderson
Jean-Pierre Mathez traces Miles Anderson’s path from early training to orchestral and freelance work, expanding on the tension between livelihood and artistic pursuit.
Brass Bulletin No 26 · 1979
Trombone· Incontri· Vita professionale· Libera professione· Esecuzione solistica
Mathez, Jean-Pierre
John Fletcher
Interview
From brass bands to chamber ensembles, John Fletcher reflects on the rapid rise of young British tubists and the changing role of the instrument.
Brass Bulletin No 27 · 1979
Tuba· Incontri· Società· Sociologia· Esecuzione solistica
Mathez, Jean-Pierre
Barry Tuckwell
Interview
Between the London Symphony Orchestra, international solo tours and Mozart or Strauss concertos, Barry Tuckwell reflects on sound, risk and musical instinct.
Brass Bulletin No 27 · 1979
Corno· Incontri· Vita professionale· Esecuzione solistica· Interpretazione
Mathez, Jean-Pierre
Benny Sluchin
Portrait in brief
Between Paris, Cologne and Tel Aviv, Benny Sluchin brings mathematics, acoustics and contemporary performance into the brass world.
Brass Bulletin No 30 · 1980
Trombone· Incontri· Vita professionale· Musica contemporanea· Esecuzione solistica
Mathez, Jean-Pierre
Miroslav Kejmar
Portrait in brief
From Bach’s Brandenburg Concerto to Czech contemporary music, the Prague trumpeter combined Baroque precision with orchestral versatility across Europe.
Brass Bulletin No 31 · 1980
Tromba· Incontri· Vita professionale· Esecuzione solistica· Pratica orchestrale
Barantsev, Anatoly
Vitaly Bujanowsky
The world's Golden Horn
Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.
Brass Bulletin No 35 · 1981
Corno· Incontri· Vita professionale· Scuola russa· Pratica orchestrale
Stevens, Thomas
The Trumpet in the USA
The Confidence Pill
Stage fright meets medical research as performers, physicians and early beta-blocker studies reshape the debate over confidence, fairness and public performance.
Brass Bulletin No 37 · 1982
Tromba· Salute· Nervi· Approccio mentale
Sluchin, Benny
The Annual Competitions of the Paris Conservatoire
From commissioned works to jury voting, a long-standing examination tradition reveals how brass players progressed through the Paris Conservatoire.
Brass Bulletin No 37 · 1982
Concorso· Insegnamento· Scuola francese· Musica contemporanea
Jones, Philip
1981 Geneva International Competition
Readers Letters
Philip Jones responds to the Geneva 1981 debate, arguing for fairer jury decisions, balanced repertoire, and the enduring value of international trumpet competitions.
Brass Bulletin No 37 · 1982
Tromba· Concorso· Esecuzione solistica· Musica contemporanea
Mathez, Jean-Pierre
Editorial
As concert life shifts away from brass, the future of the instrument depends on artistic standards, thoughtful programming and the commitment of every performer.
Brass Bulletin No 38 · 1982
Vita professionale· Società· Interpretazione· Musica contemporanea
Mathez, Jean-Pierre
Guy Touvron
Spotlight
Before international fame, Guy Touvron’s path ran through village bands, Maurice André’s class, competitions and a stubborn refusal to behave like a star.
Brass Bulletin No 44 · 1983
Tromba· Incontri· Vita professionale· Esecuzione solistica· Scuola francese
Laplace, Michel
Harry James (1916-1983)
Young Man With A Horn
Harry James stood between jazz virtuosity and popular showmanship, turning the trumpet into a mass-audience voice without losing the respect of classical players.
Brass Bulletin No 45 · 1984
Tromba· Cornetta a pistoni· Incontri· Storia· Jazz· Esecuzione solistica
Aitken, Thomas
Melvyn Poore
Tuba britannica
A tuba becomes a laboratory for circular breathing, reeds, strange mutes and music theatre as Melvyn Poore pushes beyond the orchestral role assigned to it.
Brass Bulletin No 46 · 1984
Tuba· Incontri· Musica contemporanea· Esecuzione solistica
Barron, Ronald
Being a Concert Trombone
Brass Bulletin No 93 · 1996
Trombone· Vita professionale· Esecuzione solistica