Le traduzioni italiane originali di Brass Bulletin iniziano con il n. 60.

Esecuzione solistica

17 articoli digitalizzati

The saga of the cornet and six of its outstanding artists

Hall, Jack

The saga of the cornet and six of its outstanding artists

The cornet reached extraordinary heights in the 19th century. Jack Hall traces the rise of its greatest virtuosi and a remarkable era of technical brilliance.

Brass Bulletin No 12 · 1975

Tromba· Cornetta a pistoni· Storia· Esecuzione solistica· Scuola americana

Maurice André

Mathez, Jean-Pierre

Maurice André

Parte 2

Biography

From circus gigs to Bach with Karajan: Maurice André reveals how relentless work, discipline, and daily technical refinement shaped one of the greatest trumpet careers.

Brass Bulletin No 25 · 1979

Tromba· Incontri· Scuola francese· Esecuzione solistica

The classical solo concerto for trombone and its interpreters in the 19th century

Beyer, Werner

The classical solo concerto for trombone and its interpreters in the 19th century

From Queisser to Ferdinand David: the rise—and disappearance—of the classical trombone concerto in the 19th century reveals a forgotten golden age of virtuosity.

Brass Bulletin No 25 · 1979

Trombone· Storia· Repertorio· Esecuzione solistica

Maurice André

Mathez, Jean-Pierre

Maurice André

Parte 3 – Fine

Biography

Maurice André reflects on maturity—balancing performance, recordings and teaching, refining his approach to instruments and audience, and preparing for the limits of a virtuoso career.

Brass Bulletin No 26 · 1979

Tromba· Incontri· Esecuzione solistica· Approccio mentale

Interview with Miles Anderson

Mathez, Jean-Pierre

Interview with Miles Anderson

Jean-Pierre Mathez traces Miles Anderson’s path from early training to orchestral and freelance work, expanding on the tension between livelihood and artistic pursuit.

Brass Bulletin No 26 · 1979

Trombone· Incontri· Vita professionale· Libera professione· Esecuzione solistica

John Fletcher

Mathez, Jean-Pierre

John Fletcher

Interview

From brass bands to chamber ensembles, John Fletcher reflects on the rapid rise of young British tubists and the changing role of the instrument.

Brass Bulletin No 27 · 1979

Tuba· Incontri· Società· Sociologia· Esecuzione solistica

Barry Tuckwell

Mathez, Jean-Pierre

Barry Tuckwell

Interview

Between the London Symphony Orchestra, international solo tours and Mozart or Strauss concertos, Barry Tuckwell reflects on sound, risk and musical instinct.

Brass Bulletin No 27 · 1979

Corno· Incontri· Vita professionale· Esecuzione solistica· Interpretazione

Benny Sluchin

Mathez, Jean-Pierre

Benny Sluchin

Portrait in brief

Between Paris, Cologne and Tel Aviv, Benny Sluchin brings mathematics, acoustics and contemporary performance into the brass world.

Brass Bulletin No 30 · 1980

Trombone· Incontri· Vita professionale· Musica contemporanea· Esecuzione solistica

Miroslav Kejmar

Mathez, Jean-Pierre

Miroslav Kejmar

Portrait in brief

From Bach’s Brandenburg Concerto to Czech contemporary music, the Prague trumpeter combined Baroque precision with orchestral versatility across Europe.

Brass Bulletin No 31 · 1980

Tromba· Incontri· Vita professionale· Esecuzione solistica· Pratica orchestrale

Vitaly Bujanowsky

Barantsev, Anatoly

Vitaly Bujanowsky

The world's Golden Horn

Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.

Brass Bulletin No 35 · 1981

Corno· Incontri· Vita professionale· Scuola russa· Pratica orchestrale

The Trumpet in the USA

Stevens, Thomas

The Trumpet in the USA

Parte 5

The Confidence Pill

Stage fright meets medical research as performers, physicians and early beta-blocker studies reshape the debate over confidence, fairness and public performance.

Brass Bulletin No 37 · 1982

Tromba· Salute· Nervi· Approccio mentale

Sluchin, Benny

The Annual Competitions of the Paris Conservatoire

From commissioned works to jury voting, a long-standing examination tradition reveals how brass players progressed through the Paris Conservatoire.

Brass Bulletin No 37 · 1982

Concorso· Insegnamento· Scuola francese· Musica contemporanea

1981 Geneva International Competition

Jones, Philip

1981 Geneva International Competition

Readers Letters

Philip Jones responds to the Geneva 1981 debate, arguing for fairer jury decisions, balanced repertoire, and the enduring value of international trumpet competitions.

Brass Bulletin No 37 · 1982

Tromba· Concorso· Esecuzione solistica· Musica contemporanea

Editorial

Mathez, Jean-Pierre

Editorial

As concert life shifts away from brass, the future of the instrument depends on artistic standards, thoughtful programming and the commitment of every performer.

Brass Bulletin No 38 · 1982

Vita professionale· Società· Interpretazione· Musica contemporanea

Guy Touvron

Mathez, Jean-Pierre

Guy Touvron

Spotlight

Before international fame, Guy Touvron’s path ran through village bands, Maurice André’s class, competitions and a stubborn refusal to behave like a star.

Brass Bulletin No 44 · 1983

Tromba· Incontri· Vita professionale· Esecuzione solistica· Scuola francese

Harry James (1916-1983)

Laplace, Michel

Harry James (1916-1983)

Young Man With A Horn

Harry James stood between jazz virtuosity and popular showmanship, turning the trumpet into a mass-audience voice without losing the respect of classical players.

Brass Bulletin No 45 · 1984

Tromba· Cornetta a pistoni· Incontri· Storia· Jazz· Esecuzione solistica

Melvyn Poore

Aitken, Thomas

Melvyn Poore

Tuba britannica

A tuba becomes a laboratory for circular breathing, reeds, strange mutes and music theatre as Melvyn Poore pushes beyond the orchestral role assigned to it.

Brass Bulletin No 46 · 1984

Tuba· Incontri· Musica contemporanea· Esecuzione solistica

Barron, Ronald

Being a Concert Trombone

Brass Bulletin No 93 · 1996

Trombone· Vita professionale· Esecuzione solistica

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