Equipamiento
126 artículos disponibles en línea
Miembro
The Wrong Brass?
Between blind fidelity and reckless modernisation, instrument substitutions force performers to decide when the score’s wording serves—or betrays—the music.
Por Rudolf Lewy
Miembro
Parte 1
The Haydn Trumpet Concerto
As editions, instruments and traditions diverge, Haydn’s trumpet concerto becomes a lens on notation, style and the shifting meaning of performance.
Por Alfred Willener
Miembro
Parte 2
On the early history of valves and valve instruments in Germany (1814-1833)
From invention to rivalry: the early history of rotary and piston valves reveals a battle of ideas, patents, and craftsmanship that transformed brass instruments forever.
Por Herbert Heyde
Gratuito
Interview with Thomas Müller
The natural horn is not a retreat into the past: Thomas Müller argues that its demands on sound, technique and awareness can broaden a modern player’s craft.
Por Jeffrey Agrell
Miembro
Parte 1
The contrabass trombone
Picture and sketches, taking particularly into account the construction principles (1973)
From Praetorius to Wagner: Heinrich Thein traces the evolution of the contrabass trombone—revealing how history, acoustics, and design shaped this powerful orchestral voice.
Por Heinrich Thein
Miembro
The untimely demise of the ophicleide
Once central to French orchestras, the ophicleide lost its place to the tuba—a disappearance shaped as much by institutions and repertoire as by sound.
Por Stephen J. Weston
Miembro
Parte 2
The Haydn Trumpet Concerto
André, Wobisch, Dokshitzer, Stringer and others reveal how tempo, phrasing, ornamentation and cadenzas reshape Haydn's trumpet concerto.
Por Alfred Willener
Miembro
James Stamp, subtle teaching
Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.
Por Alfred Willener
Gratuito
Early trumpet music in Schwerin
Hidden sources revealed: Stephen Glover uncovers early trumpet music in Schwerin—offering new insights into wind bands, performance practice, and the evolution of brass.
Por Stephen L. Glover
Miembro
Natural trumpets, basic techniques
Natural trumpet playing demands more than historical equipment: Friedemann Immer sets modern technique against Baroque sound, articulation, style and authenticity.
Por Friedemann Immer
Gratuito
Frankfurt Special 1979
Music Fair
Jean-Pierre Mathez surveys the Frankfurt Music Fair, tracing makers, markets and competition, and outlining a brass landscape shaped by adjustment rather than innovation.
Por Jean-Pierre Mathez
Gratuito
At the Sign of the Serpent
All sorts of old, rare and unusual musical instruments bought and sold by Tony Bingham
Behind a Hampstead shopfront, Tony Bingham’s trade in ophicleides, natural horns and cornets kept rare instruments circulating between collectors and players.
Por Thomas Aitken
Gratuito
Parte 6
Instrument Makers in USA
Holton (G. Leblanc Corporation)
In Elkhorn, Wisconsin, traditional craftsmanship meets industrial production, while Holton confronts the delicate balance between innovation and musicians’ conservatism.
Por Stephan Suter
Gratuito
Renold Schilke at Frankfurt
Interview
Jean-Pierre Mathez reports on Renold Schilke’s views at Frankfurt, addressing fair organisation, maker–musician collaboration, and shifting market dynamics shaped by demand and quality criteria.
Por Jean-Pierre Mathez
Gratuito
Dr. h.c. Bernoulli (1904-1980)
Necrology of a great collector
From a Swiss castle filled with 700 brass instruments to the Historical Museum Basel, a collector’s life reflects decades of dedication, scholarship and hospitality.
Por Emilie Mende
Gratuito
Friedemann Immer
A new Trumpet
Baroque tradition and modern trumpet playing converge in Friedemann Immer’s unusual double career, shaped by Bach, natural trumpet and early music.
Por Jean-Pierre Mathez
Miembro
Parte 7
Instrument Makers in USA
Martin (G. Leblanc Corporation)
In 1970s Wisconsin, industrial efficiency transformed brass instrument production, yet traditional craftsmanship still had a place on the factory floor.
Por Stephan Suter
Parte 1
Did Bach write the "corne da caccia" part in the B minor Mass for Gottfried Reiche?
Por Peter Damm
Parte 3
Did Bach write the "corne da caccia" part in the B minor Mass for Gottfried Reiche?
Por Peter Damm
Gratuito
Special Hungary
The Trumpets in the Hungarian National Museum in Budapest
Four little-known trumpets in Budapest open a window onto Viennese makers, historical construction, pitch and the fragile survival of museum instruments.
Por Leo Kappel
Miembro
The inner acoustics of the horn
Study of the horn’s inner acoustics, explaining how its structure and air column influence tone production and intonation.
Por Willi Aebi
Miembro
The trumpet in the north German postal service of the 19th century
For forty years, northern German postilions exchanged the familiar post-horn for trumpets, turning postal signals into an unexpected echo of military practice.
Por Albert Hiller
Miembro
Steve Lewis, Hornmaker
Old World Craftsmanship plus New World Technology
In 1980s Chicago, Steve Lewis joined Old World bench craft to modern precision, building horns one by one around the player, the metal and a distinctive sound.
Por Jeffrey Agrell
Miembro
Brass instruments from the musical town of Graslitz
From 18th-century Graslitz to postwar Bavaria, brass makers rebuilt a vanished musical industry around Miraphone, preserving craft through exile and industrial change.
Por Rudolf Limmer