Trompa
Todos los artículos relacionados con Trompa
Bob Watt
From Linda’s look to the sound of the horn
Por Jean-Pierre Mathez
Hermann Baumann
Lesson of the master
Por Jean-Pierre Mathez
Parte 3
Zen and the Art of Horn playing
Between breath, reflex, and attention, Jeffrey Agrell links Zen practice with the physical and mental habits that shape brass playing.
Por Jeffrey Agrell
Michael Thompson, Off-the-cuff commentary
Por Jean-Pierre Mathez
Parte 2
Valencia: the natural horn
Por Josep Antoni Alberola I Verdu
Gratuito
300 Years of the Horn in Bohemia
An unsigned portrait from the Dresden court links the rise of Bohemian horn playing to the ceremonial world of Baroque hunting culture.
Por Kurt Janetzky
Mouthpiece pressure in Horn Playing
Graduation project in technical method
Long before sensors entered the practice room, one horn student measured embouchure pressure by hand, challenging assumptions that still shape brass pedagogy.
Por Edgar Bürger
The Art of the Third Horn Player
The unsung hero
Por Kerry Turner
The universal double horn
Por Peter Steidle
Parte 2
The Horn Concerti of W. A. Mozart
Por Herman Jeurissen
The Horn in France
Historical overview of the horn in France by Daniel Bourgue, covering instruments, makers, pedagogy and the evolution of tone and playing style.
Por Daniel Bourgue
Gratuito
Parte 4
Ornaments in 18th-century Horn Concertos?
Changes and modifications of tempo
Tempo, dynamics and cadenzas expose how much an 18th-century horn concerto once depended on choices that modern notation and instruments can easily obscure.
Por Peter Damm
The inner acoustics of the horn
Study of the horn’s inner acoustics, explaining how its structure and air column influence tone production and intonation.
Por Willi Aebi
Douglas Hill
Profile of a Horn player
Por Jeffrey Agrell
Some observation prompted by H. Baumann: Which Horn for which Music
Commentary responding to H. Baumann’s article (BB 3), offering critical observations and contributing to the ongoing debate on horn playing.
Por Harold Meek
Impossible?
Kurt Janetzky challenges the notion of the “impossible” in brass playing, arguing that technical limits evolve and that demanding repertoire—past or present—should never be dismissed as unplayable.
Por Kurt Janetzky
Thomas Müller
Horns, Schnapps, and Cars
Por Jean-Pierre Mathez
Gratuito
Interview with Hans Pizka
From Vienna horn traditions and natural-horn training to orchestral style and pedagogy, Hans Pizka reflects on the foundations of horn playing and musical identity.
Por Jeffrey Agrell
Franz (Frantisek) Schollar and the Russian school of horn playing
Por Vitali Bujanovsky
A 349 year old horn made by Michael Nagel in Graz
Por Friedrich Körner
The corno da caccia in the music of J. S. Bach
Por Ludwig Güttler
The Coiled Hunting Instrument by J. W. Haas
Bad Säckingen Trumpet Museum
A rare instrument made in 1688 blurs the boundary between horn and trumpet, while its maker’s mark raises an unresolved question about the Haas family.
Por Edward H. Tarr
Bruno Schneider
Tale of a tall talent
Por Jean-Pierre Mathez
Steve Lewis, Hornmaker
Old World Craftsmanship plus New World Technology
In 1980s Chicago, Steve Lewis joined Old World bench craft to modern precision, building horns one by one around the player, the metal and a distinctive sound.
Por Jeffrey Agrell