Trompa
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Parte 1
300 Years of the Horn
1680-1980, an attempted survey
From Versailles to Bohemia, hunting horns enter orchestral life through makers, players, early works and the Austro-Bohemian tradition.
Por Peter Damm
Parte 2
Zen and the Art of Horn playing
Beyond technique: Jeffrey Agrell explores the clash between intellect and intuition—arguing that true musical expression begins where analysis ends.
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Stopping technique in the Mozart horn concertos
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Natural Horn
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A great Czech horn virtuoso
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The Horn and Piano Duo
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The Horn is my instrument
Personal reflection on the horn as an instrument, exploring artistic identity, sound ideals and the player’s relationship to the instrument.
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Serie El jazz y la trompa • Parte 1
Jazz and the Horn
The horn was once considered incompatible with jazz until changing ideas of sound and musicians like John Graas quietly overturned that certainty.
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Dutch Horn Society 1982-1992
Special Holland
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On the French School of horn playing
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The Dennis & Aubrey Brain chairs of horn playing
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Dieter Otto
A passionate craftman
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Reflections on the horn
Francis Orval reflects on horn playing, discussing tone production, breathing and the influence of French and German traditions on sound and style.
Por Francis Orval
Brief history of Austrian hunting horn music in Austria
Special Austria
Por Josef Pöschl
The Leningrad School of Horn Playing
From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.
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Which Horn for which Music?
Article discussing the choice of horn according to repertoire, comparing instruments, sound ideals and stylistic requirements.
Por Hermann Baumann
Andreas Jungwirth - Maker of Horns the traditional way
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Handel Horn Duo located in South America
A lost 18th-century horn tutor resurfacing through South America completes a Handel duet and preserves strikingly practical advice on horn playing.
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André Cazalet
The Horn, the brasses and France
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Antonio Rosetti and the Millenium
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Karl Biehlig, the horn is mourning
Por Peter Damm
Parte 3
Ornaments in 18th-century Horn Concertos?
Deliberate divisions
Improvisation, articulation and ornament were once inseparable: Peter Damm recovers an 18th-century horn practice later narrowed by increasingly precise notation.
Por Peter Damm