Índice completo de artículos
Consulta los artículos de Brass Bulletin publicados desde 1971. Busca por tema, materia, instrumento, autor, serie o número, con nuevos contenidos añadidos a medida que crece la edición digital.
Las traducciones originales al español se incorporaron a la edición impresa de Brass Bulletin a partir del n.º 60. A medida que la digitalización alcance estos números, los artículos estarán disponibles también en español.
Brasses in Dombes
Por Jeremy Mathez
Kalison, Milano
Instrument makers in Europe
Por Jean-Pierre Mathez
Editorial
Por Jean-Pierre Mathez
Gratuito
Editorial
From cultural codes to personal sincerity, Jean-Pierre Mathez questions how musicians recognise truth across styles, traditions and musical languages.
Por Jean-Pierre Mathez
Bernhard Krol
At 75! A look back on a life
Por Bernhard Krol
Empire Brass Quintet
The road to success
Por Jean-Pierre Mathez
Enrique Crespo - seducer and musician in one
Por Jean-Pierre Mathez
Gratuito
Harmonics or partials?
Behind every brass note lies a compromise between acoustical theory and instrument design, as E. Ferron questions what players call a harmonic.
Por Emile Ferron
Unpleasant neighbourghood' - woodcut 1865'
Por Paul Roth
Kullervo goes to war [fresco, 1901 - Atheneum, Helsinki]
Por A. Gallen-Kallela
Gratuito
Parte 6
Instrument Makers in USA
Holton (G. Leblanc Corporation)
In Elkhorn, Wisconsin, traditional craftsmanship meets industrial production, while Holton confronts the delicate balance between innovation and musicians’ conservatism.
Por Stephan Suter
Gratuito
Editorial
Editorial of Brass Bulletin No. 5 reflecting on the magazine’s progress and reaffirming its role as an independent platform for exchange among brass players.
Por Jean-Pierre Mathez
Gratuito
Parte 1
Instrument Makers in USA
American brass making in the mid-1980s stood between workshop tradition and industrial change, with ten firms offering a striking cross-section of the trade.
Por Stephan Suter
The Dennis & Aubrey Brain chairs of horn playing
Por John Humphries
Parte 4
Stage fright and anchoring
Por Michel Ricquier
Gratuito
Albert Calvayrac
Portrait
A career nearly abandoned after a disastrous switch from cornet to trumpet became a lesson in self-knowledge, persistence and an unexpected return to music.
Por Jean-Pierre Mathez
Gratuito
Alto Trombone - New Modell
A forgotten solution to Baroque virtuosity meets modern orchestral demands, where historical ideals and practical performance no longer follow the same path.
Por Heinrich Thein, Max Thein
Aquarel (1865)
Por Anonyme
1997 Women’s Brass Conference
Por Babette Wackernagel
Parte 3
Doctor Mouthpiece
Flesh meets metal 2: The rim width
Por John Stork, Phyllis Stork
An Interview with Christian Lindberg
Por J. Richard Raum
Franz (Frantisek) Schollar and the Russian school of horn playing
Por Vitali Bujanovsky
Herbert Joos
Jazz, drawing, trumpet, writing
Por Jean-Pierre Mathez
Miembro
On the Cornett and Serpent
From Pierre Trichet’s Traité des Instruments de Musique (c. 1640)
Written around 1640, Pierre Trichet’s Traité des Instruments de Musique preserves a firsthand account of the cornett and serpent in musical life and construction.
Por Pierre Trichet