Repertorio
145 articoli
Can jazz performance be taught?
A profile of Charlie Shoemake
Di Thomas Stevens
Gratuito
Empire Brass Quintet
Portrait in brief
From New York to Boston, five brass players built a chamber music identity rooted in Ewald, early music and a string-quartet approach to ensemble sound.
Di Jean-Pierre Mathez
Reflections on the tuba, teaching and music
Di Roger Bobo
Stopping technique in the Mozart horn concertos
Di Thomas Müller
Membro
Philip Jones
Interview
From South London bands to the Philharmonia, Philip Jones recalls his musical upbringing, orchestral life and the rise of brass ensembles in post-war Britain.
Di Jean-Pierre Mathez
Gratuito
The Trumpet in the Works of Jean-Philippe Rameau
From court entertainments to operatic dances, Rameau’s trumpet writing reveals uncommon technical demands and a broader palette of Baroque brass practice.
Di Albert Hiller
Parte 2
Did Bach write the "corne da caccia" part in the B minor Mass for Gottfried Reiche?
Di Peter Damm
Gratuito
A major chamber music work for brass?
Quintet, by Peter Maxwell Davies
A BBC studio session turns Maxwell Davies’s brass quintet into a test of virtuosity, balance and whether brass could claim a new place in chamber music.
Di Thomas Aitken
Parte 4
The art of chamber music
Rehearsal technique of Spanish Brass Luur Metalls
Di Spanish Brass Luur Metalls
Membro
Russian music and musicians before 1700
with special regard to Brass Music
Overview of Russian music and musicians before 1700, exploring early traditions, influences and the role of brass instruments.
Di Walter Salmen
Rediscovered trumpet fanfares
Di Friedrich Anzenberger
Gratuito
Which Horn for which Music?
Article discussing the choice of horn according to repertoire, comparing instruments, sound ideals and stylistic requirements.
Di Hermann Baumann
Membro
Parte 1
The trombone in Maurice Ravel's Bolero
How should Boléro’s trombone solo be played? After 100 performances, Jean Douay challenges conventions and argues for a more supple, controlled approach.
Di Jean Douay
Gratuito
The Trombone in the Sacred Works of W. A. Mozart
In Mozart’s sacred music, the trombone moved beyond choral reinforcement to striking solo roles that preserve the sound and practice of eighteenth-century Salzburg.
Di Benny Sluchin
Gratuito
Parte 1
The Trumpet and the Cornet in Jazz and Popular Music
Before Louis Armstrong became the defining figure, jazz already carried competing traditions of tone, style and technique shaped by cornet players across New Orleans and beyond.
Di Michel Laplace
Membro
Possibilities for development of brass instruments (1967)
Experimental study by Vinko Globokar on extended techniques for brass instruments, covering microtonality, voice-instrument interaction and new sound production methods.
Di Vinko Globokar
Parte 2
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Di Friedrich Anzenberger
Parte 3
The influence of Berlioz
on contemporary 19th Century use of brass instruments
Di Ernest H. Gross
Gratuito
Unknown Treasures for Trumpet Ensembles
Processional Music from 18th century Bavaria
Forgotten Bavarian monastery archives preserve hundreds of ceremonial trumpet works, where local tradition and practical performance survived long after their cultural world disappeared.
Di Albert Hiller
Parte 1
Jazz Improvisation
Major scalem chord-scale relationship
Di Charlie Shoemake
Parte 1
The Alto Trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Di J. Richard Raum
Yes! We have no repertoire!
Di Thomas Stevens
Gratuito
From the pen of Roger Bobo
A bold statement from Roger Bobo: limiting yourself to your instrument’s repertoire is musical imprisonment — true musicianship begins beyond boundaries.
Di Roger Bobo
Some observation prompted by H. Baumann: Which Horn for which Music
Commentary responding to H. Baumann’s article (BB 3), offering critical observations and contributing to the ongoing debate on horn playing.
Di Harold Meek