Trompa
Todos los artículos relacionados con Trompa
Engelbert Schmid
The magic touch
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Valencia: the natural horn
Por Josep Antoni Alberola I Verdu
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A modern corno da caccia
Bach’s highest horn parts expose a divide between historical sound and modern technique, prompting Friedbert Syhre and Ludwig Güttler to rethink the instrument itself.
Por Werner Wolf
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Vitaly Bujanowsky
The world's Golden Horn
Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.
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ARD Munich 1999
Horn Competition
Por Brass Bulletin
Oscillatory Mechanism of the Glotis in Horn Playing
A horn note may begin before it is heard, as subtle vocal-fold oscillations appear to prepare the airflow that the lips will ultimately shape.
Por Philippe-Henri Dejonker, Francis Orval, R. Miller, R. Sneppe
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My contacts with the United States
About horns and how to play them
Double horn, descant, natural horn — which path? This article explores American vs German approaches and what it means to train a complete horn player.
Por Michael Höltzel
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My new developed descant double horn
Why does the ideal horn not exist? Theo Westhof designs a new descant double horn to solve tuning and tone issues—without compromise.
Por Theo Westhof
On hunting horns and other similar instruments
Aus Pierre Trichets Traité des Instruments de Musique (um 1640)
Hunting horns, buccinae and cornets blur into one another as Trichet links ancient signals, shepherds, hunters and myth to the instruments of his own age.
Por Pierre Trichet
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The first european horn symposium
A week in Trossingen brought leading horn players, Mozart debates, natural-horn controversies and lasting friendships at a landmark European gathering.
Por Jeffrey Agrell
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Zen and the Art of Horn playing
From meditation to distance running, horn playing becomes a way of quieting mental noise, linking breath, concentration, and daily life.
Por Jeffrey Agrell
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Instrument Makers in USA
Lawson Horns
Walter Lawson built horns by testing alloys, valves and leadpipes with unusual precision, while keeping craftsmanship, musicians and acoustics closely connected.
Por Stephan Suter
Investing in musical excellence - Hornclass international 2001
Por Zdenek Divoky
The F/Bb horn with whole-tone ascending 3rd valve
A different horn, a different approach: Francis Orval explores how an ascending 3rd valve reshapes technique, intonation and response.
Por Francis Orval