Índice completo de artículos
Consulta los artículos de Brass Bulletin publicados desde 1971. Busca por tema, materia, instrumento, autor, serie o número, con nuevos contenidos añadidos a medida que crece la edición digital.
Las traducciones originales al español se incorporaron a la edición impresa de Brass Bulletin a partir del n.º 60. A medida que la digitalización alcance estos números, los artículos estarán disponibles también en español.
Parte 8
DSA - Digital analysis of intonation and sound
Por Robert Meissner
Tromboniste/Posaunist, Oil painting on panel (NL, 1881)
Por P.J. Neuckens
Miembro
My teeth
A dentist visit that changed everything: René Périnelli reveals how his teeth directly shaped his trumpet playing.
Por René Périnelli
Miembro
Parte 1
The contrabass trombone
Picture and sketches, taking particularly into account the construction principles (1973)
From Praetorius to Wagner: Heinrich Thein traces the evolution of the contrabass trombone—revealing how history, acoustics, and design shaped this powerful orchestral voice.
Por Heinrich Thein
Jens Lindemann, lips of gold...
Por Jean-Pierre Mathez
Gratuito
Special Finland
The brass band tradition in Finland
Finland’s brass-band tradition grew from imperial reform into a nationwide phenomenon, before an equally systematic transformation brought the era to an end.
Por Holger Fransman
Parte 3
The importance of music education in society today
Por Heinz Preiss
Miembro
Parte 4
The Trumpet in the USA
Gadgets II
Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.
Por Thomas Stevens
Miembro
The Euphonium in America
A Short History
Euphonium terminology, bore sizes, and band instrumentation shifted across Europe and America, from Sax and Conn to Gilmore, Sousa, and Fennell.
Por Robert Reifsnyder
Editorial
Por Jean-Pierre Mathez
Parte 1
Exclusive interview with Esa-Pekka Salonen
Maestro Hornist
Por Robert L. Watt
The national Orchestra of Spain
Por Salvador Navarro-Martinez
Thomas Harper Junior (1816-1898)
Travelling Through Time
Por John Hutchins
Editorial
Por Jean-Pierre Mathez
Parte 1
The horn in Madrid in the 18th century
Exclusive revelations in the natural horn in Spain (Valencia & Madrid)
Por Javier Bonet Manrique
Is there more to stage fright than just anxiety?
Por John Hipple
Parte 10
Dental Clinic for Wind Players
Irregular teeth formations and brass playing
Por Toshio Nemoto
B.E.R.P ?
Interview with Mario Guarneri
Por Jean-Pierre Mathez
Brass in Britain from the earliest times
Por John Humphries
Miembro
Individuality and Uniformity in Brass Players
As international standards reshape brass playing, musical individuality risks giving way to imitation, leaving tradition, ensemble work and personal conviction at stake.
Por Hans-Joachim Drechsler
Quintette Magnifica, flowers in the Bell!
Por Jean-Pierre Mathez
Trombone Player [aquarelle]
Por Anonyme
Stockholm Chamber Brass
1st Prize, Narbonne 1988
Por Jean-Pierre Mathez
Miembro
Why pretend to be Mozart?
The concerto’s cadenza: copy of style — or bold but true?
Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.
Por Bernhard Krol