Índice completo de artículos
Consulta los artículos de Brass Bulletin publicados desde 1971. Busca por tema, materia, instrumento, autor, serie o número, con nuevos contenidos añadidos a medida que crece la edición digital.
Las traducciones originales al español se incorporaron a la edición impresa de Brass Bulletin a partir del n.º 60. A medida que la digitalización alcance estos números, los artículos estarán disponibles también en español.
Parte 3
The Alto trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Por J. Richard Raum
Editorial
Por Jean-Pierre Mathez
Miembro
My teeth
A dentist visit that changed everything: René Périnelli reveals how his teeth directly shaped his trumpet playing.
Por René Périnelli
Gratuito
Drollery in the medieval representation of musical subjects
Study of medieval drolleries in musical imagery, exploring humorous and symbolic representations of musicians and instruments in Gothic art.
Por Franz Georg Von Glasenapp
Miembro
Parte 2
My contacts with the United States
About horns and how to play them
Double horn, descant, natural horn — which path? This article explores American vs German approaches and what it means to train a complete horn player.
Por Michael Höltzel
Parte 2
The Horn Concerti of W. A. Mozart
Por Herman Jeurissen
Gratuito
The Unusual Trumpet in the Nürnberg Transport Museum
A mysterious three-coil trumpet in Nuremberg defies familiar instrument types, with no maker, date or clear explanation of how it entered a postal collection.
Por Albert Hiller
Miembro
The column of air
A System of Breathing for Brass Players
Explains the role of the air column in brass playing, focusing on breath support, airflow control and their impact on tone, articulation and sound quality.
Por Robert Bouché
The Canadian Brass
At the summit
Por Jean-Pierre Mathez
Unknown trumpet works which deserve attention
Joseph Riepel (1709-1782), Concerto in D major
Por Albert Hiller
Big discovery in Italy! Perfection for everyone!
Por Otto Ottone
Miembro
Parte 4
The Trumpet in the USA
Gadgets II
Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.
Por Thomas Stevens
Prestige des Cuivres 2003 - Guebwiller - International Philip Jones Competition - Tuba, Euphonium, Brass Ensembles
Por Jean-Pierre Mathez
Gratuito
Hygienics of the teeth
Your embouchure starts with your teeth. This essential guide reveals why gum health—not just cavities—determines a brass player’s long-term sound and control.
Por Michel G. Corti
Gratuito
Special Finland
Editorial
In 1980s Finland, distance and long summers helped turn brass education into a national network, with Lieksa emerging as an unlikely meeting point.
Por Jean-Pierre Mathez
Parte 3
Homage to Dizzy Gillespie (1917-1992)
Por Michel Laplace
Miembro
Akim Alexeyevich Kozlov
A Trombone Artist
Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.
Por Anatoly Barantsev
Gratuito
Vitaly Bujanowsky
The world's Golden Horn
Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.
Por Anatoly Barantsev
Miembro
The Wrong Brass?
Between blind fidelity and reckless modernisation, instrument substitutions force performers to decide when the score’s wording serves—or betrays—the music.
Por Rudolf Lewy
Parte 4
The modern concert hall
Spreading walls, shrinking sound
Por Sabina Pade
Enrique Crespo - seducer and musician in one
Por Jean-Pierre Mathez
Thoughts on Competitions in Music
Por Frøydis Ree Wekre
Gratuito
Mantzaros Philharmonic Society
Corfou, Greece
A Corfu musical society founded in 1890 connects European influence, amateur tradition and a trumpet school that trained some 1,200 players.
Por Gerassimos Ioannides
Gratuito
Ernest Hall, OBE (1890-1984)
Portrait
A principal trumpet, influential teacher and formidable musician remembered through the voices of pupils who experienced Ernest Hall’s uncompromising standards.
Por Thomas Aitken