Hello, For this first trumpet edition, we've chosen a handful of articles offering a glimpse into the lives and thinking of musicians who shaped trumpet history, capturing their experiences, convictions and reflections at different moments in their careers. Some can really be surprising! You're receiving this edition because trumpet is among your selected interests. You can update your preferences and choose your preferred newsletter language, including Italian and Spanish. Best wishes Trumpet • Technique Maurice André, better than ever!By Jean-Pierre Mathez For his return to Grand Echiquier in 1987, Maurice André discusses his choice of repertoire, concert preparation and daily work on trumpet sound and technique. (BB 60, 1987) Trumpet • Technique Practical HintsBy James Stamp Short, practical insights from James Stamp, often just a few sentences and an exercise. A series of concise observations and ideas to explore at the instrument. (BB 30, 1980) Trumpet • Encounters Roger Delmotte • A French Trumpet PlayerBy Jean-Pierre Mathez Roger Delmotte reflects on the French trumpet school, changes in orchestral sound and his work preparing young players for orchestral careers and competitions. (BB 59, 1987) Equipment Flesh meets metal 2 • The rim widthBy John Stork Mouthpiece rim width and contour affect brass players’ response, flexibility and endurance, with different lip shapes calling for different rim designs. (BB 60, 1987) Trumpet • Encounters Wynton Marsalis • InterviewBy Jean-Pierre Mathez At Montreux in 1987, Wynton Marsalis condemns commercial pop culture and defends the transmission of jazz traditions through education and close attention to its masters. (BB 59, 1987) Support Brass Bulletin In just nine months, we've digitised nearly 500 articles, preserving their original illustrations and musical examples. Starting with issue No. 60, the original Italian and Spanish versions are also being made available alongside English, French and German. Your membership helps us continue this work and keep Brass Bulletin alive. Thank you to everyone who makes this possible. |