Tromba
Tutti gli articoli relativi a Tromba
Gratuito
David Monette
Profile
Chicago trumpet maker David Monette won leading players as customers in under two years, building instruments for individual musicians and their performance needs.
Di Thomas Stevens
ARD Music Competition in Munich in 1986
Once again trumpet, after six years
At Munich’s 1986 ARD trumpet competition, Reinhold Friedrich wins second prize after four rounds assessing technical command, interpretation and artistic personality.
Di Edward H. Tarr
George Swift, You see who I mean?
In the 1930s, George Swift brought cornet virtuosity and jazz influences to the concert trumpet, building a remarkable reputation through just a handful of recordings.
Di Michel Laplace
Gratuito
Kurt Laberer, Costruttore di strumenti a Monaco
Nel 1985 Kurt Laberer rileva un laboratorio di riparazione a Monaco di Baviera, dove sviluppa con Werner Pietralla una nuova gamma di trombe tedesche tradizionali.
Di Jean-Pierre Mathez
Fats' Heirs
Clifford Brown, Freddie Hubbard, Wynton Marsalis
Fats Navarro’s full trumpet sound shaped a jazz lineage through Clifford Brown and Booker Little to Wynton Marsalis, uniting early maturity with technical mastery.
Di Michel Laplace
Gratuito
Speciale RDT
Intervista con Ludwig Güttler
A Weimar nel 1987, Ludwig Güttler parla della formazione degli ottoni, dei limiti del repertorio orchestrale romantico e del lavoro con i Virtuosi Saxoniae.
Di Ludwig Güttler
Gratuito
Le trombe dell’avvenire
Ole Edvard Antonsen e Gérard Métrailler
Ole Edvard Antonsen e Gérard Métrailler raccontano la preparazione, le esecuzioni e i risultati al concorso di tromba di Ginevra del 1987, in cui furono premiati.
Di Jean-Pierre Mathez
Parte 2
The Trumpet and the Cornet in Jazz and Popular Music
The “Classical” Period 1927-1945 — The Golden Age of the Trumpet
Between Armstrong’s rise and bebop’s arrival, the trumpet became jazz’s dominant voice, reshaping technique, orchestras, sound, mutes and virtuosity.
Di Michel Laplace
Friedbert Syhre
35 years as an instrument maker in Leipzig
Di Dagmar Rosenkranz
International Trumpet Guild 25th Anniversary Conference - May 24-27, 2000
Di Jean-Pierre Mathez
My Experiences with Colleagues and Pupils
in 50 Years as trumpet player and trumpet teacher
Across five decades, Heinz Burum links trumpet embouchure, mouthpiece design and teaching practice to concrete cases from orchestras, pupils and colleagues.
Di Heinz Burum
Thomas Stevens, Survey
Di Jean-Pierre Mathez
Gratuito
How to regulate the trumpet, applicable to all valve instruments
A hidden key to performance: Perinelli and Mouton reveal how precise valve regulation transforms response, intonation, and sound—down to a tenth of a millimetre.
Di René Périnelli, J.-L. Mouton
Gratuito
Parte 2
Instrument Makers in USA
Schilke Music Products, Inc. Chicago
In a Chicago workshop, traditional handwork meets new bell-making methods, while Renold Schilke’s uncompromising standards shape an unusual company culture.
Di Stephan Suter
Gratuito
10 Outstanding Trumpet Players in the Los Angeles Area
Behind the polished sound of Los Angeles studio trumpet playing stood remarkably similar training, disciplined routines, and a craft shaped by constant stylistic demands.
Di Boyde Hood
Maurice André
Approaching sixty
Di Jean-Pierre Mathez
Gratuito
The Trumpet
An exhibition at the Trumpeter's Castel in Bad Säckingen
Natural trumpets from Verona, Nürnberg and Vienna framed a 1979 gathering in Säckingen linking Baroque practice, collecting culture and modern playing.
Di Kurt Janetzky
The natural trumpet a natural approach
Di Susan Williams
Malte Burba
Explorer of new music
Di Jean-Pierre Mathez
Gratuito
The Trumpet in the Works of Jean-Philippe Rameau
From court entertainments to operatic dances, Rameau’s trumpet writing reveals uncommon technical demands and a broader palette of Baroque brass practice.
Di Albert Hiller
Fred Sautter
Master American trumpet teacher
Di Jean-Pierre Mathez
Guy Touvron
Vive la France, vive Selmer!
Di Jean-Pierre Mathez
Allen Vizzutti
Portrait
Di Jean-Pierre Mathez
Parte 2
The Baroque trumpet, the high trumpet and the so-called Bach trumpet
Continuation of Edward H. Tarr’s study on the Baroque trumpet, examining the high trumpet and further clarifying the concept of the “Bach trumpet.”
Di Edward H. Tarr