Historia
273 artículos
Carnival of Venice at the age of more than 125!
Por Emil Hermann
Miembro
Harry James (1916-1983)
Young Man With A Horn
Harry James stood between jazz virtuosity and popular showmanship, turning the trumpet into a mass-audience voice without losing the respect of classical players.
Por Michel Laplace
17th and 18th Century Brass Instruments at the Shrine to Music Museum
Vermillon (USA)
Por Margaret Downie Banks
Miembro
Parte 2
The Baroque trumpet, the high trumpet and the so-called Bach trumpet
Continuation of Edward H. Tarr’s study on the Baroque trumpet, examining the high trumpet and further clarifying the concept of the “Bach trumpet.”
Por Edward H. Tarr
Gratuito
Parte 7
Jean-Baptiste Arban (1825-1889) Biography
Critical Analysis of his Method
Is the Arban method really ideal? This critique reveals its limits—and calls for a rethink of brass pedagogy.
Por Jean-Pierre Mathez
Gratuito
W. A. Mozart and the Trumpet...
A forgotten anecdote places one of music's greatest figures in startling conflict with the trumpet, raising unexpected questions about fear, sound and musical sensibility.
Por Jean-Pierre Mathez
Gratuito
Editorial
A wealth of Baroque music lies dormant in libraries, caught between historical instrument names, technical demands, and the competing claims of horn and trumpet players.
Por Jean-Pierre Mathez
Parte 3
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Por Friedrich Anzenberger
Bremen, city open to music
Por Jean-Pierre Mathez
Miembro
Parte 2
Anton Hansen (1877-1947)
Father of trombone playing in Scandinavia
Berlin, Leipzig and Copenhagen diary pages show Hansen testing slide-trombone ideals against Weschke, orchestral practice and Carl Nielsen.
Por Per Gade
Natural Horn
An amazing renaissance
Por Jean-Pierre Mathez
Miembro
The Leningrad School of Horn Playing
From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.
Por Frøydis Ree Wekre
Parte 1
A look at the evolution of the valved cornet and its repertoire
Por Géry Dumoulin
The town trumpeters of Delft
Special Holland
Por Willem Ouwerkerk
Miembro
Parte 3
The Haydn Trumpet Concerto
Haydn’s trumpet concerto becomes a study of manuscript detail, performance choices, and the fragile ways listeners receive a familiar work.
Por Alfred Willener
Tomás Vicent Tosca (1651-1723)
The production of sound in brasswind instruments
Por Josep Antoni Alberola I Verdu
Miembro
The tuba in France
How did the tuba emerge as an orchestral force? Fernand Lelong and Robert Coutet trace its path—from serpent to Sax—and its rapid rise.
Por Fernand Lelong, Robert Coutet
The Royal Academy of Music and its tradition
Por John Humphries
Parte 2
The solo trombone of the bohemian baroque
Por Ken Shifrin
Parte 3
The modern concert hall
The Trumpet Echo
Por Sabina Pade
José de Juan Martínez's tutor for the circular hand-stopped trumpet (1830)
Por Beryl Kenyon De Pascual
Miembro
The saga of the cornet and six of its outstanding artists
The cornet reached extraordinary heights in the 19th century. Jack Hall traces the rise of its greatest virtuosi and a remarkable era of technical brilliance.
Por Jack Hall
Gratuito
Reminiscence of trombonists of the past
Echoes of the past: Werner Beyer traces great trombonists from the 17th century to Wagner’s era—revealing how tradition, players, and instruments shaped the modern orchestra.
Por Werner Beyer
Gratuito
Parte 3
Instrument Makers in USA
C. G. Conn Ltd. Abilene, Texas
For Conn, regaining lost ground in brass instrument making means more than automated production: workshop skills and stable working conditions also count.
Por Stephan Suter