Brass Bulletin No. 10

Jean-Pierre Mathez

Editorial on the importance of exchange among musicians, encouraging active participation and warning against passive, hierarchical structures.

The beginning of his career

Jean-Pierre Mathez

Second part of Jean-Baptiste Arban’s biography, covering the early years of his career, his public performances, work with Adolphe Sax and the development of his famous method.

Earl S. Saxton

Earl S. Saxton advocates a “singing” approach to horn playing, emphasizing tone production through vibration, breath control and vocal-inspired technique.

Kurt Janetzky

Kurt Janetzky challenges the notion of the “impossible” in brass playing, arguing that technical limits evolve and that demanding repertoire—past or present—should never be dismissed as unplayable.

Glenn Stuart

Glenn Stuart explores the demanding role of the lead trumpet in a jazz orchestra, combining leadership, endurance and musical vision to shape the sound of the entire band.

Jean-Pierre Mathez

What does it take to stay at the top of a major orchestra? Jean Douay shares insights on discipline, pressure and the realities behind the trombone section.