Tecnica
115 articoli
Membro
The French Hunting horn, its history, its technique and its music
Centuries-old hunting signals still shape performance today, where technique, ritual and oral tradition preserved a musical language unlike any other brass practice.
Di Daniel Bourgue
Parte 3
A player’s first years
Oral instruction, written instruction
Di Jean-Pierre Mathez
Membro
Singing lessons for brass players?
Explores how vocal training can benefit brass players, improving breathing, phrasing, tone production and musical expression.
Di Heinz Knodt
Parte 4
DSA - Digital analysis of intonation and sound
Tuning with the computer
Di Robert Meissner
The universal double horn
Di Peter Steidle
Membro
Parte 1
Playing and singing simultaneously on brass instruments
From Weber and Vivier to contemporary solo works, singing into the brass instrument becomes a multiphonic technique shaped by notation, acoustics, and practice.
Di Benny Sluchin
The Vienna horn and the Vienna sound
Special Austria
Di Armin Suppan
Gratuito
Editorial
Between disciplined practice and creative folly, musicianship emerges where scales and systems give way to imagination, instinct and the unsettling freedom to think.
Di Jean-Pierre Mathez
Serie Tecnica degli ottoni • Parte 5
The Lips
Di Jean-Pierre Mathez
Gratuito
The Polyphonic Trombone
A suggested notation system
When trombone slide, overtones, breath and valves become independent musical voices, conventional notation reaches its limits and a new system becomes necessary.
Di Klaus-K. Hübler
Membro
Impossible?
Kurt Janetzky challenges the notion of the “impossible” in brass playing, arguing that technical limits evolve and that demanding repertoire—past or present—should never be dismissed as unplayable.
Di Kurt Janetzky
Gratuito
ASA-Method
From Bach’s clarino tradition to modern piccolo trumpet playing, extreme high-register technique is tied here to breath support, pressure control and disciplined endurance.
Di Rolf Quinque
Visualization of Brass Player’s Warm up by Infrared Thermography
Di Matthias Bertsch
Parte 2
The art of chamber music
Di Jean-Pierre Mathez
Membro
Blowing as a body function
Breathing habits, posture and body mechanics converge in a practical view of tone production, where William F. Cramer questions prevailing assumptions.
Di William F. Cramer
Reflections on the horn
Francis Orval reflects on horn playing, discussing tone production, breathing and the influence of French and German traditions on sound and style.
Di Francis Orval
Gratuito
Parte 7
Practical Hints
Tone stability remains the foundation of velocity as James Stamp reshapes a Clarke study into a preparatory exercise linking sound control with fluent technical playing.
Di James Stamp
Membro
Parte 3
Practical Hints
A preparatory adaptation of a Clarke technical study reframes finger technique, airflow, and efficiency through a progressive approach to daily practice.
Di James Stamp
Gratuito
On the question of articulation in the horn concertos by W. A. Mozart
How should Mozart really sound? Peter Damm questions traditional editions and reveals how articulation—often missing—must be rebuilt through style, listening, and musical judgment.
Di Peter Damm