Musica contemporanea
34 articoli disponibili online
Gratuito
Miroslav Kejmar
Portrait in brief
From Bach’s Brandenburg Concerto to Czech contemporary music, the Prague trumpeter combined Baroque precision with orchestral versatility across Europe.
Di Jean-Pierre Mathez
Gratuito
Mario Guarneri
Portrait in brief
From San Francisco to New York and Los Angeles, a trumpet career unfolds across major orchestras, recordings and teaching, alongside a sustained commitment to access and contemporary music.
Di Jean-Pierre Mathez
Gratuito
Editorial
New editorial formats separate current news from long-form content while creating new links between performers, composers, and the evolving brass community.
Di Jean-Pierre Mathez
Gratuito
Editorial
Between tradition and innovation: brass players must move beyond routine and embrace new musical directions to remain relevant in the music of tomorrow.
Di Jean-Pierre Mathez
Dreams and wishes
Things I would like to see happen concerning the horn and horn playing
A set of proposals for the future of the horn: Jeffrey Agrell addresses editions, pedagogy, instruments, and repertoire—from Mozart to contemporary practice.
Di Jeffrey Agrell
Membro
Parte 1
Playing and singing simultaneously on brass instruments
From Weber and Vivier to contemporary solo works, singing into the brass instrument becomes a multiphonic technique shaped by notation, acoustics, and practice.
Di Benny Sluchin
Gratuito
The Polyphonic Trombone
A suggested notation system
When trombone slide, overtones, breath and valves become independent musical voices, conventional notation reaches its limits and a new system becomes necessary.
Di Klaus-K. Hübler
Gratuito
Benny Sluchin
Portrait in brief
Between Paris, Cologne and Tel Aviv, Benny Sluchin brings mathematics, acoustics and contemporary performance into the brass world.
Di Jean-Pierre Mathez
Gratuito
I chose to address myself to new music rather than new trumpet
Thomas Stevens argues that progress in trumpet playing depends on better training, repertoire and musical thinking rather than on equipment.
Di Thomas Stevens
Brass studies in Australia
As international performers, seminars and teachers reached Australia in the late 1970s, a geographically isolated brass scene began finding its own direction.
Di David O'Meara
Gratuito
Conversation by the fireside
A fireside conversation with Philip Jones, Elgar Howarth and Michael Laird—an intimate exchange on brass playing, ensemble culture and musical thinking.
Di Jean-Pierre Mathez