Indice completo degli articoli
Consulta gli articoli di Brass Bulletin pubblicati dal 1971. Cerca per tema, soggetto, strumento, autore, serie o numero, con nuovi contenuti aggiunti man mano che cresce l’edizione digitale.
Le traduzioni originali in italiano sono state introdotte nell’edizione cartacea di Brass Bulletin a partire dal n. 60. Man mano che la digitalizzazione raggiungerà questi numeri, gli articoli saranno disponibili anche in italiano.
Brasses in Dombes
Di Jeremy Mathez
Kalison, Milano
Instrument makers in Europe
Di Jean-Pierre Mathez
Editorial
Di Jean-Pierre Mathez
Gratuito
Editorial
From cultural codes to personal sincerity, Jean-Pierre Mathez questions how musicians recognise truth across styles, traditions and musical languages.
Di Jean-Pierre Mathez
Bernhard Krol
At 75! A look back on a life
Di Bernhard Krol
Empire Brass Quintet
The road to success
Di Jean-Pierre Mathez
Enrique Crespo - seducer and musician in one
Di Jean-Pierre Mathez
Gratuito
Harmonics or partials?
Behind every brass note lies a compromise between acoustical theory and instrument design, as E. Ferron questions what players call a harmonic.
Di Emile Ferron
Unpleasant neighbourghood' - woodcut 1865'
Di Paul Roth
Kullervo goes to war [fresco, 1901 - Atheneum, Helsinki]
Di A. Gallen-Kallela
Gratuito
Parte 6
Instrument Makers in USA
Holton (G. Leblanc Corporation)
In Elkhorn, Wisconsin, traditional craftsmanship meets industrial production, while Holton confronts the delicate balance between innovation and musicians’ conservatism.
Di Stephan Suter
Gratuito
Editorial
Editorial of Brass Bulletin No. 5 reflecting on the magazine’s progress and reaffirming its role as an independent platform for exchange among brass players.
Di Jean-Pierre Mathez
Gratuito
Parte 1
Instrument Makers in USA
American brass making in the mid-1980s stood between workshop tradition and industrial change, with ten firms offering a striking cross-section of the trade.
Di Stephan Suter
The Dennis & Aubrey Brain chairs of horn playing
Di John Humphries
Parte 4
Stage fright and anchoring
Di Michel Ricquier
Gratuito
Albert Calvayrac
Portrait
A career nearly abandoned after a disastrous switch from cornet to trumpet became a lesson in self-knowledge, persistence and an unexpected return to music.
Di Jean-Pierre Mathez
Gratuito
Alto Trombone - New Modell
A forgotten solution to Baroque virtuosity meets modern orchestral demands, where historical ideals and practical performance no longer follow the same path.
Di Heinrich Thein, Max Thein
Aquarel (1865)
Di Anonyme
1997 Women’s Brass Conference
Di Babette Wackernagel
Parte 3
Doctor Mouthpiece
Flesh meets metal 2: The rim width
Di John Stork, Phyllis Stork
An Interview with Christian Lindberg
Di J. Richard Raum
Franz (Frantisek) Schollar and the Russian school of horn playing
Di Vitali Bujanovsky
Herbert Joos
Jazz, drawing, trumpet, writing
Di Jean-Pierre Mathez
Membro
On the Cornett and Serpent
From Pierre Trichet’s Traité des Instruments de Musique (c. 1640)
Written around 1640, Pierre Trichet’s Traité des Instruments de Musique preserves a firsthand account of the cornett and serpent in musical life and construction.
Di Pierre Trichet