Tuba
Tutti gli articoli relativi a Tuba
Schloss Kremsegg: Serpent in C
Di Siegfried Kristofl
The tuba, Benjamin of the brass family
Where does the tuba come from? From serpent to ophicleide to saxhorns, this article traces a lesser-known path to the modern instrument.
Di Emilie Mende
Gratuito
Tuba and Euphonium today
A new era for low brass: Willy Kurath explores how modern tuba and euphonium design—driven by innovation and collaboration—redefines sound, technique, and solo potential.
Di Willi Kurath
Simon Styles - gentleman and tuba player
Di Jeremy Mathez
Gratuito
Cleveland Orchestra Audition in 1966
George Szell’s demanding 1966 audition process unfolds through orchestral excerpts, dynamic extremes and the search for absolute ensemble precision.
Di Ronald T. Bishop
The tuba in Germany
Meeting with Dietrich Unkrodt
Di Jean-Pierre Mathez
Symposium 1978
Eyes toward the future
Beyond the instrument: Roger Bobo calls for open minds at Symposium ’78—urging tubists to seek inspiration, question identity, and look boldly toward the future.
Di Roger Bobo
25 tubas... 1 cimbasso - 20 years developing tubas while playing them
Di Daryl Smith
Parte 5
How and why I became a musician
In wartime Switzerland, a military assignment, a conductor's confusion and an abandoned instrument unexpectedly changed the course of Edouard Gros's musical career.
Di Edouard Gros
Henri Renart (1887-1979)
Interview
Henri Renart looks back on a remarkable musical life, from the wind bands of northern France to Paris’s leading orchestras, performing under renowned conductors while witnessing decades of change in performance, recording, teaching, and brass playing.
Di Robert Coutet
Gratuito
A guide to commercial tuba playing in the Los Angeles area
Hollywood reality check: Tommy Johnson reveals what it really takes to become a commercial tuba player in Los Angeles—skill, versatility… and patience.
Di Tommy Johnson
Symphonic tuba playing
A warning from the orchestra: Lewis Waldeck challenges modern tuba playing—calling for a return from solo brilliance to the dark, blended power of true symphonic sound.
Di Lewis Waldeck