Indice completo degli articoli
Consulta gli articoli di Brass Bulletin pubblicati dal 1971. Cerca per tema, soggetto, strumento, autore, serie o numero, con nuovi contenuti aggiunti man mano che cresce l’edizione digitale.
Le traduzioni originali in italiano sono state introdotte nell’edizione cartacea di Brass Bulletin a partire dal n. 60. Man mano che la digitalizzazione raggiungerà questi numeri, gli articoli saranno disponibili anche in italiano.
Parte 8
DSA - Digital analysis of intonation and sound
Di Robert Meissner
Tromboniste/Posaunist, Oil painting on panel (NL, 1881)
Di P.J. Neuckens
Membro
My teeth
A dentist visit that changed everything: René Périnelli reveals how his teeth directly shaped his trumpet playing.
Di René Périnelli
Membro
Parte 1
The contrabass trombone
Picture and sketches, taking particularly into account the construction principles (1973)
From Praetorius to Wagner: Heinrich Thein traces the evolution of the contrabass trombone—revealing how history, acoustics, and design shaped this powerful orchestral voice.
Di Heinrich Thein
Jens Lindemann, lips of gold...
Di Jean-Pierre Mathez
Gratuito
Special Finland
The brass band tradition in Finland
Finland’s brass-band tradition grew from imperial reform into a nationwide phenomenon, before an equally systematic transformation brought the era to an end.
Di Holger Fransman
Parte 3
The importance of music education in society today
Di Heinz Preiss
Membro
Parte 4
The Trumpet in the USA
Gadgets II
Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.
Di Thomas Stevens
Membro
The Euphonium in America
A Short History
Euphonium terminology, bore sizes, and band instrumentation shifted across Europe and America, from Sax and Conn to Gilmore, Sousa, and Fennell.
Di Robert Reifsnyder
Editorial
Di Jean-Pierre Mathez
Parte 1
Exclusive interview with Esa-Pekka Salonen
Maestro Hornist
Di Robert L. Watt
The national Orchestra of Spain
Di Salvador Navarro-Martinez
Thomas Harper Junior (1816-1898)
Travelling Through Time
Di John Hutchins
Editorial
Di Jean-Pierre Mathez
Parte 1
The horn in Madrid in the 18th century
Exclusive revelations in the natural horn in Spain (Valencia & Madrid)
Di Javier Bonet Manrique
Is there more to stage fright than just anxiety?
Di John Hipple
Parte 10
Dental Clinic for Wind Players
Irregular teeth formations and brass playing
Di Toshio Nemoto
B.E.R.P ?
Interview with Mario Guarneri
Di Jean-Pierre Mathez
Brass in Britain from the earliest times
Di John Humphries
Membro
Individuality and Uniformity in Brass Players
As international standards reshape brass playing, musical individuality risks giving way to imitation, leaving tradition, ensemble work and personal conviction at stake.
Di Hans-Joachim Drechsler
Quintette Magnifica, flowers in the Bell!
Di Jean-Pierre Mathez
Trombone Player [aquarelle]
Di Anonyme
Stockholm Chamber Brass
1st Prize, Narbonne 1988
Di Jean-Pierre Mathez
Membro
Why pretend to be Mozart?
The concerto’s cadenza: copy of style — or bold but true?
Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.
Di Bernhard Krol