Vida profesional

Höltzel, Michael

My contacts with the United States

About horns and how to play them

Double horn, descant, natural horn — which path? This article explores American vs German approaches and what it means to train a complete horn player.

Bush, Irving

Tell it the way it is:

A viewpoint of professional trumpet playing in the United States

A brutal reality check: Irving Bush exposes the gap between musical dreams and professional truth—revealing the harsh economics behind a career in trumpet playing.

Underwood, Lee

Glenn Ferris - Profile

Beyond fame and labels: Glenn Ferris rejects the music business game—defining a raw, uncompromising vision of creativity, freedom, and what it means to truly play.

Johnson, Tommy

A guide to commercial tuba playing in the Los Angeles area

Hollywood reality check: Tommy Johnson reveals what it really takes to become a commercial tuba player in Los Angeles—skill, versatility… and patience.

Bobo, Roger

Tuba Editorial

Roger Bobo reflects on orchestral auditions, examining imbalance between candidates and positions and questioning training, selection criteria and prospects for aspiring tubists.

Mathez, Jean-Pierre

Interview with Miles Anderson

Jean-Pierre Mathez traces Miles Anderson’s path from early training to orchestral and freelance work, expanding on the tension between livelihood and artistic pursuit.

Mathez, Jean-Pierre

Mario Guarneri

Portrait in brief

From San Francisco to New York and Los Angeles, a trumpet career unfolds across major orchestras, recordings and teaching, alongside a sustained commitment to access and contemporary music.

Gade, Per

Anton Hansen (1877-1947)

Father of trombone playing in Scandinavia

From Nørrebro cafés to the Royal Orchestra, Anton Hansen’s early years reveal the shift from valve to slide trombone in Scandinavian orchestras.

Mathez, Jean-Pierre

Barry Tuckwell

Interview

Between the London Symphony Orchestra, international solo tours and Mozart or Strauss concertos, Barry Tuckwell reflects on sound, risk and musical instinct.

Mathez, Jean-Pierre

Women and Brass

Statements

Female brass players in British orchestras describe auditions, section dynamics and the pressure of proving themselves beyond musical ability.

Douay, Jean

A woman trombonist, Yvelise Girard

Women and Brass

From Paris conservatories to police bands, a young trombonist confronts isolation, scrutiny and ambition as women slowly enter the brass world.

Mathez, Jean-Pierre

Benny Sluchin

Portrait in brief

Between Paris, Cologne and Tel Aviv, Benny Sluchin brings mathematics, acoustics and contemporary performance into the brass world.

Bishop, Ronald T.

Cleveland Orchestra Audition in 1966

George Szell’s demanding 1966 audition process unfolds through orchestral excerpts, dynamic extremes and the search for absolute ensemble precision.

Bach, Markus S.

Women and brass: 3 Portraits

Barbara Stone, Betty Anderson, Kate Kaminga

Three British and Dutch conductors moved from brass band performance to leadership roles, confronting a scene still largely shaped by male traditions.

Mathez, Jean-Pierre

Miroslav Kejmar

Portrait in brief

From Bach’s Brandenburg Concerto to Czech contemporary music, the Prague trumpeter combined Baroque precision with orchestral versatility across Europe.

Coutet, Robert

Henri Renart (1887-1979)

Interview

Henri Renart looks back on a remarkable musical life, from the wind bands of northern France to Paris’s leading orchestras, performing under renowned conductors while witnessing decades of change in performance, recording, teaching, and brass playing.

Davies, John

Brass and Strings

A note on personality types among musicians

Behind the formal discipline of the symphony orchestra, contrasting views of brass and string players reveal enduring questions about personality, class and musical culture.

Bobo, Roger

Arnold Jacobs

Interview

From Curtis to Chicago, a tuba player's path crosses Reiner, Koussevitzky and Ormandy, while teaching evolves toward breathing, thought and musical function.

Mathez, Jean-Pierre

Editorial

New editorial formats separate current news from long-form content while creating new links between performers, composers, and the evolving brass community.

Barantsev, Anatoly

Vitaly Bujanowsky

The world's Golden Horn

Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.

Searfoss, David P.

The Audition System

Why American Musicians Emigrate?

Behind orchestral vacancies in North America, travel costs, subjective selection and hidden hiring practices help explain a growing flow of musicians abroad.

Mathez, Jean-Pierre

Editorial

As concert life shifts away from brass, the future of the instrument depends on artistic standards, thoughtful programming and the commitment of every performer.

Mathez, Jean-Pierre

Editorial

As costs rose and ambitions grew, an editorial from 1983 captures the fragile balance between sustaining an international brass journal and preserving its vision.

Mathez, Jean-Pierre

Editorial

When careers pause and certainty fades, real progress begins in private, where discipline, friendship and chamber music reshape what it means to be a musician.

Agrell, Jeffrey

Jazz and the Horn

Julius Watkins

A pioneering career, landmark recordings and collaborations with jazz legends gave the French horn a place it had never occupied before.

Mathez, Jean-Pierre

Musical Piracy

Plagiarism, Photocopying

Long before digital piracy, publishers and performers were already confronting plagiarism, photocopying and blurred artistic ownership across the brass world.

Hood, Boyde

10 Outstanding Trumpet Players in the Los Angeles Area

Behind the polished sound of Los Angeles studio trumpet playing stood remarkably similar training, disciplined routines, and a craft shaped by constant stylistic demands.

Mathez, Jean-Pierre

Editorial

One magazine disappeared as another opened its pages, turning economic necessity into a rare act of editorial solidarity that reshaped the brass press.

Mathez, Jean-Pierre

Editorial

Mass media, record-industry economics and the return of cornet virtuosity collide in a sharp warning about fashion, manipulation and musical independence.

Mathez, Jean-Pierre

Brass Players in Rome

Behind Rome’s musical prestige, RAI brass players describe shrinking salaries, insecure orchestral careers and the compromises required simply to remain musicians.

Mathez, Jean-Pierre

Guy Touvron

Spotlight

Before international fame, Guy Touvron’s path ran through village bands, Maurice André’s class, competitions and a stubborn refusal to behave like a star.