Brass Bulletin N.º 31
III / 1980
100
10 artículos
Agotado
Brass Bulletin N.º 31
III / 1980
Sumario
300 Years of the Horn in Bohemia
Kurt Janetzky
An unsigned portrait from the Dresden court links the rise of Bohemian horn playing to the ceremonial world of Baroque hunting culture.
300 Years of the Horn
Parte 11680-1980, an attempted survey
Peter Damm
From Versailles to Bohemia, hunting horns enter orchestral life through makers, players, early works and the Austro-Bohemian tradition.
Articulation or bowing on the trumpet
Parte 2 – FinTimofey Dokschidser
Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.
Transcription fundamentals
Ralf Sauer
Between Bach fugues and Mozart concertos, Ralph Sauer questions where brass transcription renews a work — and where it merely imitates.
A Trombone Martyr
Auguste Léonard de la Tuilerie
Benny Sluchin
A Paris apothecary turned trombone evangelist challenges 19th-century musical habits, imagining the slide trombone as the future voice of harmony.
Cleveland Orchestra Audition in 1966
Ronald T. Bishop
George Szell’s demanding 1966 audition process unfolds through orchestral excerpts, dynamic extremes and the search for absolute ensemble precision.
The contrabass sackbut
a modern copy
Richard Lister
A reconstructed 17th-century contrabass sackbut revives forgotten low brass practice, from Venetian polychoral music to modern performance challenges.
Practical Hints
Parte 2James Stamp
A simplified preparation method adapted from Herbert L. Clarke links transposition, tempo variation and repetition to technical fluency and mental anticipation.
Women and brass: 3 Portraits
Barbara Stone, Betty Anderson, Kate Kaminga
Markus S. Bach
Three British and Dutch conductors moved from brass band performance to leadership roles, confronting a scene still largely shaped by male traditions.
Miroslav Kejmar
Portrait in brief
Jean-Pierre Mathez
From Bach’s Brandenburg Concerto to Czech contemporary music, the Prague trumpeter combined Baroque precision with orchestral versatility across Europe.