Equipaggiamento
163 articoli
Reflections on the tuba, teaching and music
Di Roger Bobo
Gratuito
The Unusual Trumpet in the Nürnberg Transport Museum
A mysterious three-coil trumpet in Nuremberg defies familiar instrument types, with no maker, date or clear explanation of how it entered a postal collection.
Di Albert Hiller
Black - Hill
Brass mouthpiece makers
Di Claudio Roditi
“Duplex” instruments - yesterday and today
Di Benny Sluchin
Amrein trumpets
A test
Di Fritz Damrow
Eduard Kruspe
Tradition and progress: On route to the 21st century
Di Christian Primus
The Horn in France
Historical overview of the horn in France by Daniel Bourgue, covering instruments, makers, pedagogy and the evolution of tone and playing style.
Di Daniel Bourgue
Membro
The history of the big York-Hirsbrunner Tuba
The instrument maker's point of view
A legendary orchestral tuba became the starting point for rethinking how craftsmanship, industrial methods and musical results rarely follow the same path.
Di Peter Hirsbrunner
Parte 2
The history of King & Benge instruments
Di Jean-Pierre Mathez
Gratuito
Inventor's corner
Shaping Your Own Mouthpiece
A tiny alteration to the mouthpiece rim challenges conventional design, seeking greater upper-lip endurance without sacrificing flexibility, attack or control.
Di Ninck Blok
A 349 year old horn made by Michael Nagel in Graz
Di Friedrich Körner
Werkstatt & Musikhaus Schagerl
At the service of brasses
Di Jean-Pierre Mathez
Gratuito
My collection of historical brass instruments and drums
Presentation of a private collection of historical brass instruments and drums, offering insights into their construction, variety and historical context.
Di Wilhelm Bernoulli
Gratuito
Which Horn for which Music?
Article discussing the choice of horn according to repertoire, comparing instruments, sound ideals and stylistic requirements.
Di Hermann Baumann
Kurt Laberer, instrument maker in Munich
Di Jean-Pierre Mathez
Membro
Parte 4
The Trumpet in the USA
Gadgets II
Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.
Di Thomas Stevens
Membro
On the Crumhorn
From Pierre Trichet’s Traité des Instruments de Musique (c. 1640)
A seventeenth-century crumhorn leads from Roman lituus and alpine horns to reeds, finger holes and keys, exposing an unexpected family of curved instruments.
Di Pierre Trichet
Parte 1
Doctor Mouthpiece
Resistance and the brass player
Di Phyllis Stork, John Stork
Gratuito
The Streitwieser Foundation Historic Trumpet Museum
A private collection built through one musician's lifelong search became an unexpected center for brass history, where every instrument carries a story beyond its display.
Di Sue Scott
Gratuito
Manufacturers' Opinions about Brass Instruments
Between workshop lore and acoustic certainty, brass makers’ claims expose a restless debate over metal, finish, resonance, and playing quality.
Di J. M. Bowsher, P. S. Watkinson
25 tubas... 1 cimbasso - 20 years developing tubas while playing them
Di Daryl Smith
Membro
The Euphonium in America
A Short History
Euphonium terminology, bore sizes, and band instrumentation shifted across Europe and America, from Sax and Conn to Gilmore, Sousa, and Fennell.
Di Robert Reifsnyder
Membro
The posthorn of the 19th-century Royal Post Office in the service of folk music
Once a tool of postal signalling, the posthorn became part of Bavaria’s popular musical life, caught between official regulation, practical invention and folk tradition.
Di Albert Hiller
Membro
Possibilities for development of brass instruments (1967)
Experimental study by Vinko Globokar on extended techniques for brass instruments, covering microtonality, voice-instrument interaction and new sound production methods.
Di Vinko Globokar