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Father of trombone playing in Scandinavia
Per Gade
From Nørrebro cafés to the Royal Orchestra, Anton Hansen’s early years reveal the shift from valve to slide trombone in Scandinavian orchestras.
Berlin, Leipzig and Copenhagen diary pages show Hansen testing slide-trombone ideals against Weschke, orchestral practice and Carl Nielsen.
From Sibelius to Paris, Anton Hansen’s later career links Scandinavian trombone playing with French repertoire, teaching, and orchestral reform.