Storia
273 articoli
Carnival of Venice at the age of more than 125!
Di Emil Hermann
Membro
Harry James (1916-1983)
Young Man With A Horn
Harry James stood between jazz virtuosity and popular showmanship, turning the trumpet into a mass-audience voice without losing the respect of classical players.
Di Michel Laplace
17th and 18th Century Brass Instruments at the Shrine to Music Museum
Vermillon (USA)
Di Margaret Downie Banks
Membro
Parte 2
The Baroque trumpet, the high trumpet and the so-called Bach trumpet
Continuation of Edward H. Tarr’s study on the Baroque trumpet, examining the high trumpet and further clarifying the concept of the “Bach trumpet.”
Di Edward H. Tarr
Gratuito
Parte 7
Jean-Baptiste Arban (1825-1889) Biography
Critical Analysis of his Method
Is the Arban method really ideal? This critique reveals its limits—and calls for a rethink of brass pedagogy.
Di Jean-Pierre Mathez
Gratuito
W. A. Mozart and the Trumpet...
A forgotten anecdote places one of music's greatest figures in startling conflict with the trumpet, raising unexpected questions about fear, sound and musical sensibility.
Di Jean-Pierre Mathez
Gratuito
Editorial
A wealth of Baroque music lies dormant in libraries, caught between historical instrument names, technical demands, and the competing claims of horn and trumpet players.
Di Jean-Pierre Mathez
Parte 3
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Di Friedrich Anzenberger
Bremen, city open to music
Di Jean-Pierre Mathez
Membro
Parte 2
Anton Hansen (1877-1947)
Father of trombone playing in Scandinavia
Berlin, Leipzig and Copenhagen diary pages show Hansen testing slide-trombone ideals against Weschke, orchestral practice and Carl Nielsen.
Di Per Gade
Natural Horn
An amazing renaissance
Di Jean-Pierre Mathez
Membro
The Leningrad School of Horn Playing
From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.
Di Frøydis Ree Wekre
Parte 1
A look at the evolution of the valved cornet and its repertoire
Di Géry Dumoulin
The town trumpeters of Delft
Special Holland
Di Willem Ouwerkerk
Membro
Parte 3
The Haydn Trumpet Concerto
Haydn’s trumpet concerto becomes a study of manuscript detail, performance choices, and the fragile ways listeners receive a familiar work.
Di Alfred Willener
Tomás Vicent Tosca (1651-1723)
The production of sound in brasswind instruments
Di Josep Antoni Alberola I Verdu
Membro
The tuba in France
How did the tuba emerge as an orchestral force? Fernand Lelong and Robert Coutet trace its path—from serpent to Sax—and its rapid rise.
Di Fernand Lelong, Robert Coutet
The Royal Academy of Music and its tradition
Di John Humphries
Parte 2
The solo trombone of the bohemian baroque
Di Ken Shifrin
Parte 3
The modern concert hall
The Trumpet Echo
Di Sabina Pade
José de Juan Martínez's tutor for the circular hand-stopped trumpet (1830)
Di Beryl Kenyon De Pascual
Membro
The saga of the cornet and six of its outstanding artists
The cornet reached extraordinary heights in the 19th century. Jack Hall traces the rise of its greatest virtuosi and a remarkable era of technical brilliance.
Di Jack Hall
Gratuito
Reminiscence of trombonists of the past
Echoes of the past: Werner Beyer traces great trombonists from the 17th century to Wagner’s era—revealing how tradition, players, and instruments shaped the modern orchestra.
Di Werner Beyer
Gratuito
Parte 3
Instrument Makers in USA
C. G. Conn Ltd. Abilene, Texas
In Abilene, automated production and workshop skills meet under a familiar name, as an American brass maker seeks to regain ground lost over the previous decade.
Di Stephan Suter