Le traduzioni italiane originali di Brass Bulletin iniziano con il n. 60.
Brass Bulletin 11 - 2 / 1975
Numero
Brass Bulletin N. 11
Data
II / 1975
Pagine
152
Sommario
9 articles

Esaurito

Archivio dei numeri

Brass Bulletin N. 11

II / 1975

Sommario

9 articles

Editorial

Accesso gratuito

Jean-Pierre Mathez

pp. 5–7

A magazine for all brass players? Jean-Pierre Mathez tackles the challenge—and invites musicians to actively shape Brass Bulletin.

Jean-Baptiste Arban (1825-1889) Biography

Parte 3

The Success

Jean-Pierre Mathez

pp. 9–25 Cornetta a pistoni Storia

At the height of his fame, Arban fights to reshape musical education—and to save the trumpet from disappearing.

The F/Bb horn with whole-tone ascending 3rd valve

Francis Orval

pp. 9–25 Corno Tecnica

A different horn, a different approach: Francis Orval explores how an ascending 3rd valve reshapes technique, intonation and response.

My teeth

René Périnelli

pp. 37–40 Tecnica Salute

A dentist visit that changed everything: René Périnelli reveals how his teeth directly shaped his trumpet playing.

General remarks on the role of the teeth for wind instrument players

Jean-Paul Rocca

pp. 37–44 Tecnica

Your teeth are part of your instrument: a dental expert explains how they shape sound, technique and long-term health.

Contemporary systems and trends for the tuba

Daniel Perantoni

pp. 45–65 Tuba Tecnica Repertorio

New music, new rules: Daniel Perantoni explores extended techniques, graphic notation and the evolving language of the tuba.

The tuba in Europe

Robert Tucci

pp. 67–79 Tuba Reportage

Why does the tuba sound different across Europe? Robert Tucci explores national styles, instruments and orchestral traditions.

The trombone: changing times, changing slide positions

Heinrich Huber

pp. 83–94 Trombone Tecnica Repertorio

Did trombonists always use seven positions? Heinrich Huber reveals how history, theory and early music reshaped the slide.

Meeting with Ib Lansky-Otto

Accesso gratuito

Jean-Pierre Mathez

pp. 95–96 Corno Carriera

“You cannot explain music — you have to play it.” A rare and elusive encounter with horn player Ib Lansky-Otto.

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